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I’m just too too conditioned with my ‘brrr-brrr’ and youth the world over will cast it away in favour of whatever is top of the download chart. Could this be because consumers would find it hard to accept it? If so, why is it so popular in China? Ubiquitous phone ownership is relatively new in China, could it be true that they don’t have such an ingrained mental model of what a waiting call tone should sound like? Or is it (more likely) an age thing.
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To my knowledge, none of the UK telco providers offer this service. That caused cognitive dissonance and I didn’t like that. The musical call tone broke my long established mental model of how a phone works. Was I being charged for this? I associated the music with being on hold, and I didn’t want that on an international call. The first time I got this I was calling a colleague in China and I immediately put the phone down. Instead of the mechanical brrr-brrr you get a song that the person you are calling has selected. In China, Hong Kong and Singapore musical call tones are becoming increasingly popular.
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If I have initiated the call, and it is not a free number, it is costing me to listen to the music. It means that I’ve been connected to the other person and have been put on hold. I’ve another mental model about music being played to me on the phone. If I get a single tone it means the line is engaged or can’t be connected.
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In some countries it is a simple sine wave tone, but it is a recognisable feedback mechanism that lets me know that the call is waiting for the person (or machine) at the other end of the line to answer it. I dial a number and get a mechanical ‘brrrr-brrrr’ tone. I have a mental model for the way that phones work. Does this mean they are wrong? Is there a cultural or demographic dimension to this? Musical call tones when you are waiting to be connected to the person you are calling are great from a marketing and technical point of view, but they are inconsistent with (many) user expectations. “Maybe this experience will help the British government understand how many of the entertainment industry’s efforts to strengthen intellectual property controls do little more than irritate legitimate consumers.” 1 Comment read more → Now our own Prime Minister has experienced the same thing after being given a collection of Region 1 DVDs by Obama that he cannot watch because they are unplayable on his Region 2 DVD player. (Indeed rather than preventing piracy DRM encourages it). I was just a humble consumer wanting to do the right thing but was denied this by the entertainment industry and their flawed business model. And it was then that we really discovered Bit Torrent… If we wanted to buy new DVDs in Hong Kong we would have to make a decision to effectively throw away our UK DVDs. The DRM of dinosaur logic does not allow you to be an international traveler. Hong Kong is in a different region to the UK. When the DVDs were all watched we turned to the local video shop to hire or buy DVDs.
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A year ago we arrived in Hong Kong with no TV, but a Mac Mini, broadband connection and a stack of DVDs from the UK.